Recently, I have had a number of conversations with secondary school leaders about exam readiness. The last few years have a seen an important focus on curriculum and its implementation. But some dips in the 2023 results, as well as Ofsted’s announced emphasis on data, have led in many schools to a renewed, pragmatic focus... Continue Reading →
Some thoughts on task-setting and assessment in English, especially at Key Stage 3 In a well-planned Key Stage 3 course on Of Mice and Men, pupils will be gripped by and immersed in Steinbeck’s novel, will enter imaginatively into the world of the story, will explore its context and significance, will investigate ways in which... Continue Reading →
Jim Stewart and I wrote this for the TES in 1994, after the first round of new GCSE exams in English and English Literature, replacing 100% coursework. I wouldn't agree with everything in it now, or with all of the expression, but - as comes across - we were a very angry profession at the... Continue Reading →
This is an approach which I have used successfully when revising clusters of poetry for GCSE. (Apologies for any parts which seem commonplace or obvious.) The basic idea is familiar - to practise summing up the ‘essence’ of each poem, so that students feel that they have a pinned-down overview of each – a handy... Continue Reading →
Thoughts on ‘closed book’ and 'open book' exams Parliament has debated whether students should continue to be allowed only ‘closed book’ exams in GCSE English and English Literature. (Really, of course, they are ‘absent book’ exams. Closed books would just be cruel.) The arguments for ‘closed book’ exams – now dominant at GCSE, AS and... Continue Reading →
Thoughts on how students are taught to write critically about texts in exams This post was originally an article for NATE‘s Teaching English (Issue 12, Autumn 2016) Preparing for the new English GCSEs has compelled English departments to put their Key Stage 4 curriculum through yet another revision. For many, this has been taken as an opportunity […]
James Durran 