In primary schools recently, there has been a lot of interest in ways to approach whole-class reading lessons. The imperative to raise standards in reading is leading many to question the dominance of small group guided reading, in which – at any one time – most pupils are not being taught by the ‘expert’ in the room. Teaching the whole class instead means that all pupils can read with the teacher more often, moving faster through more or longer texts and benefiting from the teacher’s expert explanations, modelling, questioning and feedback. It also makes possible more integration between ‘guided reading’, topic-related reading, reading as stimulus for writing, daily reading aloud to the class and following a ‘class reader’.
An account of a poetry lesson, with some thoughts on efficiency, on how we treat texts and on knowledge.
When I became an Advanced Skills Teacher, in 2002, the designation was still fairly new. There was quite an intensive appointment process involving a portfolio of documentary evidence, a set of testimonials and a visit by an external assessor, who watched me teach a mixed-ability Year 10 class. For this, I served up a ‘sure-fire’ double lesson on a poem, which I thought went very well. However, while the assessor enjoyed the lesson and was complimentary about it, she had a major reservation. Just the week before (she told me) she had seen the same poem “taught very well in just half the amount of lesson time.” I found this a little irksome. I argued that I could very easily have ‘taught the poem’ in half the time, but that the lesson was about more than covering curriculum content as quickly as possible. But did she have a point? Continue reading “A poetry lesson”
This is an approach which I have used successfully when revising clusters of poetry for GCSE. (Apologies for any parts which seem commonplace or obvious.)
The basic idea is familiar – to practise summing up the ‘essence’ of each poem, so that students feel that they have a pinned-down overview of each – a handy encapsulation. This can be useful when introducing an answer; it can be helpful for unlocking or framing ideas; and – perhaps most importantly – it can give students a sense of control, of in some way ‘owning’ each poem, when it’s tucked up in a single, illuminating sentence. Continue reading “What does the poem do? A revision tool”
Number #2 in an occasional series of short posts on feedback, appearing in no particular order
Last year, I visited a lesson in which pupils were analysing a newspaper article. They read the article as a class, then – in pairs, so that they were having to articulate their ideas before committing them to paper – they wrote answers to a set of questions. The level of analysis and of expression was variable but, on the whole, not very high:
‘The purpose of the article is to tell about what happened.’
‘The headline really grabs the reader’s attention’
Thoughts on how students are taught to write critically about texts in exams
Preparing for the new English GCSEs has compelled English departments to put their Key Stage 4 curriculum through yet another revision. For many, this has been taken as an opportunity to be creative with the curriculum, to devise fresh practice and to sharpen classroom teaching of knowledge and skills. However, the combination of a short time frame and a highly pressurised environment has pushed some departments towards an anxious, somewhat mechanistic approach to the specifications, with teachers focusing narrowly on the hoops through which students will have to jump. Continue reading “Developing critical readers: preparing students for GCSE English Language reading papers”