Teaching talk

Classroom strategies for the explicit teaching of spoken expression

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When we think about how to develop pupils’ talk in the classroom, it is natural to focus on the ‘opportunities’ we’re providing for pupils to practise speaking. We also know that developing vocabulary and subject knowledge, the raw material for talk, is key. These are essential, of course. But just as we actively and deliberately teach pupils how to write, we can and should also be teaching pupils explicitly how to be effective talkers – not just letting that develop.

And talk is complicated. This excellent schematic from Voice 21 sets out very clearly the multiple dimensions of talk – the physical, linguistic, cognitive, and social and emotional – and the various elements within these.

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Below are some suggested principles for the explicit teaching of talk and spoken expression, in any subject. Importantly, these approaches can mostly be woven into or made part of existing practice. They are not about extra activities, or extra curriculum: they are about good subject teaching.

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Quick talk about texts

Short-burst pair or group talk activities which can be woven into reading lessons

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In other posts, I’ve suggested that the most effective whole-class reading sessions allow for seamless weaving together of whole-class discussion, individual thinking time and pair or small group talk. below are some examples of typical, short pair or group talk activities (30 seconds to a couple of minutes) which can be woven into reading lessons so that pupils are required to retrieve and to rehearse knowledge, to develop and refine understandings, and to practise the articulation of these things, as well as develop their independence and their personal and social confidence as readers. Continue reading “Quick talk about texts”

Reading as writers; writing as readers: an account of a Year 5/6 teaching sequence

This is an example of an approach to a text, which is designed specifically to help all pupils to develop their writing of literary narrative without recourse to the ‘features of descriptive writing’ or to checklists of literary devices. Over a series of sessions, it integrates whole-class reading practice with the planning and drafting of a piece of extended writing.

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We often talk about the importance of pupils ‘reading as writers, and writing as readers’. It’s a powerful idea which doesn’t translate simply into a list of practices, but which is more about the culture of the classroom: the way pupils are encouraged always to think about their reading and their writing as in dialogue with each other; the way they are encouraged to develop a certain sense of control when they are reading and when they are writing. Continue reading “Reading as writers; writing as readers: an account of a Year 5/6 teaching sequence”

Whole-class reading: a planning tool

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See also Whole-class reading: an example lesson and a menu of approaches  and Whole-class reading: another example lesson

Recently, colleagues and I have been working hard with schools to develop whole-class reading practice which is both challenging and inclusive. This is a particularly current issue in primary schools, but is – of course – also pertinent to secondary English.

Many teachers and schools are moving towards quite a formalised approach, with a similar agenda for every session or series of sessions. Pupils might move through a fairly fixed set of activities; texts might be subjected to quite repetitive kinds of interrogation, with pupils asking and answering similar questions each time. (Such an approach can develop out of a focus on preparation for assessment, often defaulting to ‘content domains’ in primary, or to GCSE ‘AOs’ in secondary.) Such repetition, while reassuring, can also be limiting, denying the potential of individual texts to teach particular aspects of reading, to demand particular kinds of thinking, to invite different kinds of response, to suggest a variety of engaging, classroom activities, and to offer new pleasures and experiences to pupils as real readers.

The contrasting approach is to have no set formula for whole-class reading sessions, but to let planning be flexible, led by the the text’s ‘potential’, by the shifting needs of the pupils, by the class’s developing relationship with the text as readers and – of course – by the inventiveness and resourcefulness of the teacher.

Such a flexible approach can make it easier for teachers to follow the following principles, which we believe underlie the best whole-class reading practice.

  1. Enjoy reading challenging texts with children
  2. Let the text lead
  3. Have rich conversations about texts
  4. Pitch high & scaffold for all
  5. Build talk around personal response
  6. Keep it varied
  7. Integrate the teaching of reading, writing & grammar

Continue reading “Whole-class reading: a planning tool”

Whole-class reading: another example lesson

See also: Whole-class reading: a planning tool

A description of a recent whole-class reading lesson, with commentary

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This is a description of another successful whole-class reading lesson which I taught recently to Year 4 and Year 5 classes (although the approaches are applicable to other phases.) It is a follow-up to a post last year (Whole-class reading: an example lesson and a menu of approaches) which described a Year 5/6 lesson, and which also offered some resources developed here by the North Yorkshire English advisory team, including a menu of approaches for whole-class reading. (Click for Word document.)

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Continue reading “Whole-class reading: another example lesson”

Challenging responses: designing a successful teacher-led reading lesson

A reflection on some different ways to structure discussion of a text in the classroom. The example is from Key Stage 3, although the principles are applicable to any phase.

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The text below is one which we used to read with Key Stage 3 pupils at Parkside Community College, in Cambridge, when teaching about World War 1 poetry and propaganda. It is a personal letter from a soldier to his mother, which was published in the local paper as part of a drive to recruit more volunteers for the army.

Its local relevance made it particularly compelling to the pupils, all of whom knew “Gwydir Street” and the “Great Eastern” railway area, and some of whom lived there.

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Continue reading “Challenging responses: designing a successful teacher-led reading lesson”

Mini-whiteboard jigsaws

An organising technique and resource for discussion. Good for revision, for practising retrieval and for deepening thinking. (Good for all ages, too.)

Step 1

Using sharp scissors, cut up some mini-whiteboards to make a set of unique, four-piece jigsaws, like this. (This is surprisingly quick and easy to do, and oddly satisfying.)

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You now have a robust, re-usable resource.

Step 2

On each jigsaw, use a board pen to write four connected things which you want pupils to think about. These might be terms, facts, quotations, diagrams, concepts or any other fragments of knowledge. Each jigsaw should have a different theme or connecting principle. Like this.

Continue reading “Mini-whiteboard jigsaws”

Whole-class reading: an example lesson and a menu of approaches

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See also: Whole-class reading: a planning tool

See also: Whole-class reading: another example lesson

See also: Challenging responses: designing a successful teacher-led reading lesson

In primary schools recently, there has been a lot of interest in ways to approach whole-class reading lessons. The imperative to raise standards in reading is leading many to question the dominance of small group guided reading, in which – at any one time – most pupils are not being taught by the ‘expert’ in the room. Teaching the whole class instead means that all pupils can read with the teacher more often, moving faster through more or longer texts and benefiting from the teacher’s expert explanations, modelling, questioning and feedback. It also makes possible more integration between ‘guided reading’, topic-related reading, reading as stimulus for writing, daily reading aloud to the class and following a ‘class reader’.

Continue reading “Whole-class reading: an example lesson and a menu of approaches”

Googling for originality

A simple classroom technique, when drafting and editing.

Recently, I have been doing quite a bit of drafting and editing of creative writing with Year 5 and 6 pupils, and I have been finding this little game useful. I’m sure it’s not original, and I have used it with older students since search engines became a thing, but it is still new to many teachers – so here it is. (It’s very, very simple.) Continue reading “Googling for originality”

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