Teaching talk

Classroom strategies for the explicit teaching of spoken expression

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When we think about how to develop pupils’ talk in the classroom, it is natural to focus on the ‘opportunities’ we’re providing for pupils to practise speaking. We also know that developing vocabulary and subject knowledge, the raw material for talk, is key. These are essential, of course. But just as we actively and deliberately teach pupils how to write, we can and should also be teaching pupils explicitly how to be effective talkers – not just letting that develop.

And talk is complicated. This excellent schematic from Voice 21 sets out very clearly the multiple dimensions of talk – the physical, linguistic, cognitive, and social and emotional – and the various elements within these.

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Below are some suggested principles for the explicit teaching of talk and spoken expression, in any subject. Importantly, these approaches can mostly be woven into or made part of existing practice. They are not about extra activities, or extra curriculum: they are about good subject teaching.

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Some thoughts on ‘pace’

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A notoriously unhelpful piece of lesson observation feedback is that there was insufficient ‘pace’. Of course, in discussion this might be teased out and made sense of, but sometimes it is left unclear, or (worse) it can reflect a misunderstanding of what the teacher was doing, or of how a subject works.

The difficulty, of course, is that ‘pace’ (in any meaningful sense) is about things that are subjective.

Pace has been written about a lot, but – in case it’s of any use or interest – here is my own take on it. Nothing original – just some accumulated thoughts.

(Image from The Æsop for Children, illustrated by Milo Winter, Project Gutenburg) Continue reading “Some thoughts on ‘pace’”

The importance of ‘extended writing’

Word cloud.JPGSome thoughts on task-setting and assessment in English, especially at Key Stage 3

In a well-planned Key Stage 3 course on Of Mice and Men, pupils will be gripped by and immersed in Steinbeck’s novel, will enter imaginatively into the world of the story, will explore its context and significance, will investigate ways in which Steinbeck uses language, and will discuss characters and get to grips with themes. They will watch one or more film versions and might think hard about how the novel has been adapted. As well as acquiring a wealth of knowledge, pupils will practise a range of types of talk and writing – some imaginative, some analytical and some discursive – and maybe some drama.

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Asking real questions in the classroom

One of the main ways in which teachers ‘give’ feedback to pupils is through follow-up questioning. This is sometimes the case in written feedback, but is particularly the case in oral feedback, as part of dynamic classroom teaching, in which feedback is folded into learning and is indistinguishable from the discussion and exploration of ideas. It is one key way in which teachers insist on deeper thinking.*In English, it is one of the key ways in which we push analysis and explore response.

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Who is doing what in the classroom? A tool for planning and reflection

It is always risky to discuss something as complex as teaching and learning in terms of any sort of ‘model’. It is always reductive and probably wrong. However, at the moment I am finding it useful to think of classroom teaching working like this. (Click to enlarge)

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Based on well-rehearsed principles, this schematic might be a useful analytic tool for reflecting on planning, lessons and teaching over time, and as a focus for CPD. Continue reading “Who is doing what in the classroom? A tool for planning and reflection”

Marking for ‘literacy’ – problems with ‘codes’

Number #4 in an occasional series of short posts about feedback, appearing in no particular order.

In many schools, there is a literacy ‘marking code’ by which all teachers are meant to abide. Typically, spelling errors are marked with an ‘S’, punctuation errors with a ‘P’ and so on. Some of these codes are highly complex; some are simpler. These codes are intended to improve standards in written accuracy across the curriculum by promoting consistent messages, by making corrections instantly recognisable and – importantly – by raising the status (and teachers’ awareness) of spelling, punctuation and grammar.

I would be very interested to hear of examples where these are working well, and why. They may well sometimes succeed. However, in my experience, they often go wrong. These are some of the problems they can present. Continue reading “Marking for ‘literacy’ – problems with ‘codes’”

Folding feedback into learning

Number #2 in an occasional series of short posts on feedback, appearing in no particular order

FoldLast year, I visited a lesson in which pupils were analysing a newspaper article. They read the article as a class, then – in pairs, so that they were having to articulate their ideas before committing them to paper – they wrote answers to a set of questions. The level of analysis and of expression was variable but, on the whole, not very high:

 ‘The purpose of the article is to tell about what happened.’

‘The headline really grabs the reader’s attention’

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Written comments: three simple rules (and a fourth)

Picture1Number #1 in an occasional series of short posts on feedback, appearing in no particular order

When delivering training on feedback, I don’t tend to spend too much time on written comments: the focus tends to be on oral and whole class feedback, classroom culture, questioning techniques, editing and redrafting, ‘work-shopping’ approaches and so on. If anything, it tends to focus on ways to minimise written ‘marking’.

However, many teachers are bound by policies which insist on regular written, prose comments; many are even tied down to formulae such as ‘three stars and a wish’, or ‘WWW, EBI’. So here are some simple ‘rules’ for such written comments, which I have found helpful. (Note: there is nothing startling here, but it all seems to need revisiting!) Continue reading “Written comments: three simple rules (and a fourth)”

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