Whole-class reading: another example lesson

See also: Whole-class reading: a planning tool

A description of a recent whole-class reading lesson, with commentary

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This is a description of another successful whole-class reading lesson which I taught recently to Year 4 and Year 5 classes (although the approaches are applicable to other phases.) It is a follow-up to a post last year (Whole-class reading: an example lesson and a menu of approaches) which described a Year 5/6 lesson, and which also offered some resources developed here by the North Yorkshire English advisory team, including a menu of approaches for whole-class reading. (Click for Word document.)

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Challenging responses: designing a successful teacher-led reading lesson

A reflection on some different ways to structure discussion of a text in the classroom. The example is from Key Stage 3, although the principles are applicable to any phase.

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The text below is one which we used to read with Key Stage 3 pupils at Parkside Community College, in Cambridge, when teaching about World War 1 poetry and propaganda. It is a personal letter from a soldier to his mother, which was published in the local paper as part of a drive to recruit more volunteers for the army.

Its local relevance made it particularly compelling to the pupils, all of whom knew “Gwydir Street” and the “Great Eastern” railway area, and some of whom lived there.

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Continue reading “Challenging responses: designing a successful teacher-led reading lesson”

Mini-whiteboard jigsaws

An organising technique and resource for discussion. Good for revision and for practising retrieval, synthesis, analysis…  (Good for all ages, too.)

Step 1

Using sharp scissors, cut up some mini-whiteboards to make a set of unique, four-piece jigsaws, like this. (This is surprisingly quick and easy to do, and oddly satisfying.)

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You now have a robust, re-usable resource.

Step 2

On each jigsaw, use a board pen to write four connected things which you want pupils to think about. These might be terms, facts, quotations, diagrams, concepts or any other fragments of knowledge. Each jigsaw should have a different theme or connecting principle. Like this. Continue reading “Mini-whiteboard jigsaws”

Whole-class reading: an example lesson and a menu of approaches

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See also: Whole-class reading: a planning tool

See also: Whole-class reading: another example lesson

See also: Challenging responses: designing a successful teacher-led reading lesson

In primary schools recently, there has been a lot of interest in ways to approach whole-class reading lessons. The imperative to raise standards in reading is leading many to question the dominance of small group guided reading, in which – at any one time – most pupils are not being taught by the ‘expert’ in the room. Teaching the whole class instead means that all pupils can read with the teacher more often, moving faster through more or longer texts and benefiting from the teacher’s expert explanations, modelling, questioning and feedback. It also makes possible more integration between ‘guided reading’, topic-related reading, reading as stimulus for writing, daily reading aloud to the class and following a ‘class reader’.

Continue reading “Whole-class reading: an example lesson and a menu of approaches”

Avoiding a ‘literacy dip’ in Year 7

Some questions for secondary teachers, English teams and school leaders, which may be helpful

Many secondary schools have concerns about how to maintain progress in the core area of literacy from Year 6 to Year 7, perceiving that many students do not make sufficiently-strong progress in Year 7, or that they can even regress in some aspects. These concerns have been fuelled recently by Ofsted’s ‘The Wasted Years’ report. They have also been foregrounded by changes to the Key Stage 2 curriculum and assessment framework, which has left some secondary English teachers feeling de-skilled as Year 7 students arrive throwing semi-colons around with alarming confidence.

Continue reading “Avoiding a ‘literacy dip’ in Year 7”

The importance of ‘extended writing’

Word cloud.JPGSome thoughts on task-setting and assessment in English, especially at Key Stage 3

In a well-planned Key Stage 3 course on Of Mice and Men, pupils will be gripped by and immersed in Steinbeck’s novel, will enter imaginatively into the world of the story, will explore its context and significance, will investigate ways in which Steinbeck uses language, and will discuss characters and get to grips with themes. They will watch one or more film versions and might think hard about how the novel has been adapted. As well as acquiring a wealth of knowledge, pupils will practise a range of types of talk and writing – some imaginative, some analytical and some discursive – and maybe some drama.

Continue reading “The importance of ‘extended writing’”

From page to screen and back again: teaching Shakespeare through film and film through Shakespeare

Page.jpgThis blog post was originally an article, written in 2003 with Craig Morrison for the NATE magazine English, Drama, Media, when we both taught at Parkside Community College in Cambridge. 

The practice it describes has since been developed further, but it is still all just as applicable now as it was fourteen years ago, as are the suggested uses of classroom technology. Continue reading “From page to screen and back again: teaching Shakespeare through film and film through Shakespeare”

‘In this school, English is about…’

Practical tools for reflecting on the what, why and how of English teaching

Venn.JPGA friend’s nephew, when in Year 8, remarked to him: “I used to enjoy English, but all we do now is write PEE paragraphs.” If this is a pupil’s view (even an unfair one) of English in their school, then something has gone badly wrong. It’s extreme, but it is – I think – indicative of a trend in secondary English, in which the narrow imperatives of external assessment are dominating planning and thinking, and when GCSE ‘AOs’ are busily colonising Key Stage 3. Meanwhile, tests and secure-fit assessment frameworks are increasingly dominating primary teachers’ thinking about the teaching of reading and writing.

In this post, I offer two simple tools which I have used with both primary and secondary teachers for reflecting on the principles behind English as a subject. This might be as part of a process of curriculum renewal, of the revitalising of practice, or of a deliberate attempt to build cohesion and shared purpose. Or it might just be to to stimulate professional discussion about some basics – on what they are doing, how they are doing it, and why.

Continue reading “‘In this school, English is about…’”

Making the investment

Reframing ‘engagement’ in the classroom

Any mention of ‘engagement’ in the education Twittersphere or blogosphere will create a flurry of emotive debate. To many, it is now a dirty word, summoning up caricatures of content-free, gimmick-laden teaching, in which the aim is simply to engage so that learning somehow follows. In fact, there is a strand of discourse in which even considering how to engage pupils, or to think that anything other than ‘learning itself’ or ‘the richness of the subject’ is motivation enough, is a failing – a sort of lowest common denominator approach.

Of course, this is in reaction to historical imbalance. In training, I use videos of exemplar ‘Outstanding’ lessons from just five or six years ago, to show how remarkably empty of learning a lesson can be when it is designed around activity and engagement. And the idea that pupils will ‘behave’ if only a lesson is made engaging enough is, of course, very dangerous. Continue reading “Making the investment”

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